Monday September 14, 2009
While Jess Scully was studying Journalism and Law at the University of Technology, Sydney, she helped develop and launch STU, a monthly magazine showcasing the talents of emerging Australian creatives. She then took on the role of editor of Yen, a bi-monthly glossy title bridging the divide between art, design, style and social issues, before launching Hotpress, a monthly music magazine again placing local musicians, filmmakers in an international context.
Jess then established SummerWinter, a bi-annual fashion title which showcases Australia’s most innovative new artists, designers and creatives internationally. Jess also took on the role of editor of Empty, an art and illustration magazine published by Design is Kinky, and fashion editor at large for NineMSN.
Jess is currently the Artistic Director of the Creative Sydney festival, Creative Director of the Qantas Spirit of Youth Awards, editor of the Creative Cities East Asia project and interview editor of the Hijacked series of photography books.
http://www.creativesydney.com.au
http://www.creativecities.org.uk
http://www.summerwinter.com
http://www.soya.com.au Words by The Groop
Monday August 24, 2009
Taken from http://www.markpollard.net.
Greetings and thanks for checking out my writenings.
I launched this blog in late January 2009 because I was sick of not writing stuff. You see, I used to write a lot – maybe 2,000 words a week for magazines like 3D World and Inpress and my own baby Stealth Magazine (this little interview I did with Flavor Flav even made its way into Vice Magazine – the original one in Canada – some time in 1999). And then I took a break and buried myself in my work world.
Well, I’ve managed to dig myself out of that myopia and, to be honest, you can probably blame young Julian Cole for it. I met him at a conference. He reminded me of me… ages ago. He was wearing sneakers and a cap, for one. That used to be my thing. And he was the young guy that got rolled out in front of the old school to let them know what was new in the zoo. Again, I used to get paid for that. But, more importantly, his youthful zest snapped me out of my crusty work-world and gave me the kick I needed to get back into writing, thinking and communicating. So, thanks, big man. I’ll see you at TED one day.
Where I work and what I do
I currently work at McCann Sydney (the lovechild of McCann Erickson and MRM Worldwide) as the Strategy Director. That means I help companies solve business and brand problems with ideas. If you’re curious about my work history, please check out my LinkedIn profile. If you’d like to find out about the McCann story and whether we can work together, email me (markboogie [@] gmail.com).
Happy to speak at your event
I’ve spoken at Ad:tech, guest lectured for ADMA, and presented at Ignite, Marketing 2.0 conference, the NSW Knowledge Management Forum, universities and a bunch of other events. If there’s anything on this website that you’d like me to talk to an audience about, all you need to do is ask.
If you want something that’s ready and packaged, I give you:
- Social media (aka Don’t use social media)
- Twitter. WTF? (a story about Twitter for personal use)
- Online communities (aka 7 things hip hop taught me about community)
Anyway, my aim here is to write stuff that makes you think.
And to have you write back – and make me think. Fair deal?
Catch you on
Twitter.
Words by The Groop
Monday August 17, 2009
Nash
Edgerton
knows
his
craft
from
both
sides
of
the
camera
from
his
work
as
an
actor,
stunt
performer,
editor,
producer,
writer,
and
director.
Since
his
short
Deadline,
which
took
out
the
top
prize
at
Tropfest
in
1997,
Nash has
directed a
number
of
award‐winning
short
films
and music
videos. The
action packed
trailer
for
Tropfest
called
The Pitch
was
followed
by
the
horror
thriller
Fuel,
the
stunt‐driven
Lukcy
and the
twisted
drama
Spider,
all
shorts
that
screened
to
acclaim
locally
and
abroad at festivals including
Sundance,
Berlin,
Telluride,
Aspen,
Sydney,
Melbourne,
Pi Fan,
St
Kilda
and
Flickerfest.
His
career in
music videos has
won him
various awards and ARIA and MTV nominations for work with
leading
Australian and
New Zealand
artists including
Ben Lee,
Eskimo
Joe,
Missy
Higgins,
Evermore,
Toni
Collette,
Shihad
and
The Sleepy
Jackson.
Collectively
Nash’s films
and
music
videos
have
won
more
than
50
awards
around
the
world.
Nash’s film making
career
began
at
he
age of
18
as a stunt performer. Since that
time
he
has
earned
over
100 film and television
credits
on
productions
including
The
Matrix
Trilogy,
Star Wars
II
and
III,
Thin Red
Line
and
Superman
Returns. He
is
also
an
accomplished
editor. In
2005
Nash edited
and
produced
the
acclaimed
film
The Magician written and
directed
by
Scott
Ryan.
In
2008 Nash’s first feature film
The Square was
released
in
cinemas around Australia, where
it
was
nominated
for 7
AFI
Awards – including
Best
Film, Best
Director
and
Best
Original
Screenplay.
It
will
be
released
in
the
US
in
2009. Most recently
Nash has
directed the
music
video
for
Bob
Dylan’s
“Beyond
Here
Lies
Nothing”.
Words by The Groop
Sunday August 9, 2009
It is with great pride and a whole load of relief that we can happily report that The Groop’s submission for the
Extra Cheese exhibition, “Zoetron” – a modern take on the
zoetrope – was a success amongst the gallery goers at the Saatchi Gallery in The Rocks, last Thursday. Enjoy the pictures. It’s like you were almost there.
Words by The Groop
Tuesday July 28, 2009
Ben Briand’s award winning work is often praised for its unique approach. He possesses the ability to form delicately crafted visual images whilst also generating honest warmth from the characters that exist within its world. The result is often emotional as well as visually striking.
In 2007 he won the coveted major prize for the Optus ONE80 Project in its first year. His result was the critically acclaimed one-hour film ‘Hammer Bay’ produced in conjunction with MTV.
In the last 12 months alone, Briand has helmed a variety of distinct projects featuring Cate Blanchett, The Vines and Public Enemy. He has directed distinct commercial campaigns for clients such as Telstra, Sony Ericsson, Westfield, Toyota and Ballantines Whiskey to name a few. Most recently, Briand collaborated with Australian fashion designer Brenda Harvey to create a distinct set of short films and photographic installations. This series marked the debut launch of her high-end accessories label Benah.
With a background in fine arts, Ben is a creator of commercials, films, music videos and video installations.
Ben is represented by Cherub Pictures in Australia and most recently has been signed to Moonwalk Films in France.
Find out more on his site,
here.
Words by The Groop
Monday July 13, 2009
Michael Ritchie is the Executive Producer/ Managing Director of Australia’s most respected production company, Revolver, known for its undying commitment to produce both original and innovative, high end work.
Michael’s career began in the mid 80s, where he worked his way to a sort out position of Head Of Television at Ogilvy in Sydney, at the tender age of 25. After 10 years on the agency side and a successful stint working as a Regional Head Of Television at DDB in Hong Kong, Michael moved in to production joining Sydney based Pod Film, where he was made a partner in 1997. In his time with the company, Michael saw Pod grow to become one of the most innovative production companies in the region at that time.
1999 saw his most successful collaboration, with director Steve Rogers, when he joined Revolver. Since then Michael has received pretty much every international award there is, in the way of recognition at Cannes, D&AD, Clio, One Show and AWARD. He has twice been approached by Baz Luhrman, to produce the only advertising campaigns Baz has ever done – one of which was the Chanel No.5 film, starring Nicole Kidman. He is also the Deputy Chairman of AWARD, the most recognised industry body in this country.
Michael has forged international alliances with some of the most influential production companies in the world, from Biscuit Filmworks in Los Angeles, to Les Telecreatures in Paris. He has produced work for a range of advertising clients, including Nike, Tourism Australia and James Boags, as well as producing music video’s for the likes of Radiohead, The Presets and Beck.
Words by The Groop
Tuesday June 23, 2009

For Mike, what started as an uncertain journey following his heart swiftly turned into a creative adventure that couldn’t have been scripted. Mike landed in Australia two years ago with a laptop, a small bundle of cash and a girlfriend – and today heads up
Holler Sydney, has a brand new MacBook Pro and a wife (yes, the same girl he followed). With a client roster that includes Lion Nathan (think Tooheys Extra Dry, James Squire and Boags), Universal Music and Johnson & Johnson, Holler Sydney is now 30 people strong, employing some of the best designers and developers in Australia (no horn blowing – for real!). Interestingly, Mike’s academic background is in zoology, which we’re sure helps on a daily basis – dealing with the monkeys, snakes and muppets that populate aspects of the wider business world.
Along the way, Mike met Claire, who is Holler’s Executive Producer and Mike’s right hand woman (read: technically the boss). After cutting her teeth as a Systems Administrator in various ad agencies, the lure of the world wide web proved too strong, and she hung up her RAM and earthing cables to pursue the more creative lifestyle of building websites. Constantly amazed at what’s possible in the digital realm, Claire can finally say she loves what she does. She’s overseen the development of some seriously awesome websites, and while she may not be able to write ActionScript herself, she knows enough to be dangerous.
Mike still thinks he’s the funniest person at Holler, which is why Claire took over writing this bio. Dad jokes just aren’t amusing.
Words by The Groop
Sunday June 21, 2009

Pete Baker and Luke Crethar are part of the world renowned creative collective,
The Glue Society. Based in Sydney and New York comprising writers, designers, art directors and film directors.
Established in 1998 by Gary Freeman and Jonathan Kneebone, The Glue Society’s work encompasses everything from broadcast entertainment, commercials, print advertising, graphic design and books to art exhibitions, live events, installatins and sculpture.
The Glue Society was recently awarded the Hot Shop of the year by Australian Creative magazine and has been included in the top international director’s issues of Creativity magazine and Boards magazines in the US in 2007 and 2008.
Their work has received numerous advertising industry accolades in recent years: Gold awards at the One Show and at the Clio awards in the US, yellow pencils at D&AD in the UK and Gold, Grand Prix and Titanium awards at the Cannes Advertising Festival.
Below is an example of their work, as part of the Miami Pulse Contemporary Art Fair entitled, ‘God’s eye View’, four biblical moments as evidenced by satellite imagery.
Words by The Groop
Thursday June 11, 2009

Photo: SF Bay – Dolphin Club,
ian_ransley via Flickr.
The application process for hopeful Groop members required the candidates to turn the tables and ask US a question. After the jump are some of the more thought provoking and hilarious queries.
Words by The Groop
Wednesday June 10, 2009
Photo: Unique,
Irina Souiki via Flickr.
So, this is how it all begins.
We received a gargantuan amount of applications which proved to be extremely overwhelming, to say the least. Each application possessed a unique high standard and quality – so naturally, arriving to a shortlist became a difficult task.
However, fourteen final applicants were chosen.
We’re ecstatic about the next sixteen weeks and where they will take The Groop, as well as the amazing array of guest speakers who will be attending the sessions. On this website we will be showcasing output from The Groop, the work of individual members as well as our guest speakers and their work.
Words by The Groop